1829-1912  Related Paintings of william r clark :. | parrys fartyg tar sig fram genom isen under hans tredje forsok attfinna nordvastpassagen 1824 | john mcdouall stuart hissar brittiska flaggan vid van diemensbukten nara den nuvarande staden darwin dit han kom efter att ha genom korsat kontinenten | debba utsikt fran mcmurdosundet malades av dr rdward wilsom, som var naturvetenskaplig deltagare i scotts bada expeditioner. | conways expedition matte upp kartlade flera av de stora glaciarerna runt k2,det nast hosta berget i varlden. | man tror att alexander den store undersokte medlhavets botten i en dykarklocka omkring 330 f.kr. |
Related Artists:
Eugene Bidau
French 19th Century
Floris Verster
1861-1927 Dutch Floris Verster Gallery Dutch painter. He trained first at the Ars Aemula Naturae school in Leiden under George Hendrik Breitner, then at The Hague Academie (1879-82) and the Brussels Academie (1882). In Leiden in 1882 he started painting landscapes in the style of the Hague school. From 1882 to 1892 he shared a studio in Leiden with the still-life painter Menso Kamerlingh Onnes (1860-1925), who was to become his brother-in-law. Influenced by Onnes and such French realists as Antoine Vollon and Theodule Ribot, in 1885 he turned to painting still-lifes in a mildly Impressionist style that by 1888-9 often attained monumental formats, as in Peonies (1.35*2.00 m, 1889; Amsterdam, Stedel. Mus.). He submitted some of these to exhibitions, where their reception was mixed; artists including Breitner, H. W. Mesdag and Jacob Maris were enthusiastic, but the critics quite often were not. He participated in a few exhibitions abroad, notably from 1890 to 1894 in Munich and in 1891 with Les XX in Brussels.
Adam Elsheimer
1578-1610 German Adam Elsheimer Locations German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow Derer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt. Most were produced in Rome after 1600: the limits of this oeuvre and its chronology are extremely hard to establish.